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Writing assignments service: These are all places where you need to increase the precision and energy in your language. You don't have to know what the problem is. No need for sophisticated diagnosis. It doesn't matter whether it is a modifier or a conjunction that is acting up. Just grab yourself by the shoulders, shake yourself, and insist that you mean business: "Stop beating around the bush. Just tell me what you mean to say. Stop explaining things or talking in 'essay' or translating what you have on your mind into writing language: just say it!" Pretend someone is being this firm with you because he cares about you and wants to know what's on your mind. Writing assignments service.
Writing assignments service: A sentence should be alive. Does it sag in the middle or trail off at the end? Is it fog or mush? Sentences need energy to make the meaning jump off the page into the reader's head. As writer you must embed that energy in the sentence -- coil the spring, set the trap. The meanings should spring up when the reader steps on the first word. If you just leave your meanings lying around on the ground, readers will have to stoop over to pick them up. You won't have many readers except those who are doing you a favor or already want to know what you have to say -- and even those readers won't get experiences from your words, only meanings. The best sentence is the kind that comes out during the best moments of raw first-draft writing. You are warmed up, writing fast, excited, but not worried. You are fully involved in your meaning, not conscious of anything else. The sentence flows out alive and loud so the reader hears it. Writing assignments service.
Writing assignments service: Obviously much of your raw writing won't be that way, and it's harder still to achieve that kind of language as you revise -- when you are using language slowly, carefully, and consciously. Revising is like constructing a difficult mathematical equation: continually you must stop in the middle of sentences to ponder the right word, to search your memory for alternatives, to wonder whether this sentence fits what came before and comes after. Instead of the producing consciousness where you bend all your efforts singlemindedly toward making contact with what you are writing about -- toward full participation with your meaning -- in revising you must necessarily be thinking about the reader, about the structure of the whole, about whether your words are true. In good raw writing you give birth to sentences, in revising you have to construct them. Ideal revising, perhaps, would consist only of crossing out and rearranging live words born in the producing process so that every word in the final draft has psychic energy invested in it. (I am exaggerating the value of your raw writing. Not all is alive. Much of it, rightly enough, is produced by slogging onwards when the spirit is dead. One of the main reasons for learning freewriting is so that you can keep on writing even when you are not in the mood.) Writing assignments service.